2408. Soon the base coat of the plaster was finished 
throughout all of the walls of the church and it was time for the masons
 to begin laying the finish coat, the one that the artist and his 
apprentices would actually paint on.
 2409. It so happened one Sunday afternoon that an entire 
vat of the plaster was left over when the walls were finished, so 
Faldoni, instead of discarding it, brought it to his cell and attempted 
to plaster the walls with it. There was a great quantity of plaster, and
 it was a very small cell.
 2410. What looked like the simplest thing in the world 
when he watched the mason doing it, turned out to be nearly impossible 
for him, but after several hours he completed the plastering of the back
 wall of his cell. This wall measured six feet wide by seven feet high. The top 
portion he got nearly smooth, but down toward the floor he made a 
terrible mess of it. 
2411. At midnight he began the second wall, and at three in the morning he started on the third wall. By morning the cell was finished. The forth wall was perfect even down at the floor, and in the corners. In the corners even a master plasterer has a difficult time of it. Standing there, admiring his work, he rapped his skull three times with his knuckles.



Thanks for the lesson! I wonder if anyone uses this style of painting these days? Something about a fresco! Love the blog Richard ~ keep it coming :)
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