2596. When given this task of making a picture of the 
world or things in it, the brain begins to hum along in fourth gear, and
 is happy to disregard anything that does not fit into its measurements 
and calculations. 
 2597. Regardless of the truth of the real world, the 
lightest light in a painting is just going to be white paint, and the 
darkest dark can obviously only be black paint, and that black paint 
will have light shining on it. And all the myriad tones and tints 
in-between find their place somewhere in the middle between those two.
 2598. You may suspect that Faldoni as he worked at his 
face painting project was gradually developing both skills and 
perceptual abilities as he progressed, and even though he considered 
what he was doing strictly his private business, of no concern to anyone
 else, it was bound to happen that someday the truth of his gradually 
changing character would be noticed.
2599. Like so many events in his life, his new abilities were noticed by accident. But, before I tell you about how Faldoni’s skills were discovered, I want to point out a comparison of Faldoni’s life to certain story lines you might find in, of all places, martial arts stories. Perhaps you have already noticed the similarity.




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