120. I did not agree with Agnes about the validity of
copying things because some famous artist copied things, and, sensing my doubts
and confusion she explained it all in a different way.
121. “Just imagine,” she said, “that you set out to forge a
drawing by some famous artist like Picasso for example.
122. No matter
how hard you tried, and how careful you were when you made your forgery, if we
were to give your copy to a handwriting specialist they would see at once that
it was a fraud.
123. It would be a fraud because no matter how hard a person
might try, they cannot manage to ever eliminate the stamp of their own unique
personality for every thing they do.
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