2720. Regardless of all these difficulties it is still necessary to attempt to explain what Faldoni was doing with his color mixing when painting his borders. My explanation is going to be confusing and in the end may be as pointless as is the attempt to describe tastes, but I have to give it a try, I don’t know why.
2722. But it is impossible to use page six to begin explaining my color theory, which we have to get through in order to find out what happens to Faldoni, when on page six is a picture of a piece of architecture so annoying that it is difficult to go on. The best thing to do is to tear out page six and then cover the hideous building and everything else but the blue sky in the upper left hand corner.