3919. Emily entered
her studio alone and instantly saw her precious sculpture smashed into pieces
on the floor next to the stand. It was not actually her sculpture because that
was safely hidden away, but it was not possible for her to know from a distance
that it was not her work that had been destroyed.
3920. I would like to leave Emily standing in the doorway for a moment, and say a few things about things that are seen from a distance. When you look at a thing from a distance, all the details disappear and only the general simplified form can be discerned.
3920. I would like to leave Emily standing in the doorway for a moment, and say a few things about things that are seen from a distance. When you look at a thing from a distance, all the details disappear and only the general simplified form can be discerned.
3921. Consider the
case of a tree. A tree is one of the most complicated things any artist has
ever seriously attempted to render. If one stands close to any tree, the eye is
presented with many millions of various shapes of all size and tints. When an
artist attempts of draw a tree, even just a simple branch is so complicated,
that the serious student gives up the struggle almost at the first try.
3922. One may manage
to be patient for a few minutes and succeed in drawing a few dozen leaves and
parts of some branches here and there, but right away one has to resort to a
sort of aimless scribbling, which is highly unsatisfactory, and gives no
indication of what the tree looks like to the innocent eye.
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